painting

The image of Imam Ali (as) is the work of Master Mohammad Hossein Tafreshi of the Qajar period.

The icon attributed to the Holy Prophet (PBUH) in the margins with spells and spell circles of blessing, conquest, victory, opening of affairs and avoidance of disasters

The image of Hazrat Ali and Hasnain PBUH

The image attributed to Imam Hussein (as) on the day of Ashura is the work of Master Hussein Qullar Aghasi

The image of Imam Ali (as) is the work of Master Mohammad Hassan Afshar of the Qajar period

Oil painting – Ghadir Khum

The image of Imam Ali (as) is the work of Master Ismail Jalayer of the Qajar period

The image of the Holy Prophet (PBUH) next to the mountain of light and the mangrove cave is the work of Master Sadr Shayesteh Shirazi, a student of Master Kamal Al-Molk

Painting behind glass – Ascension of the Prophet (PBUH) Master – Agha Sadegh

Icon of the Holy Prophet (PBUH) in Ascension, dust writing, calligraphy commissioned by Seyyed Abdul Rahim Khajoui, year 1121 AH

Oil painting by Master Ismail Ashtiani, student of Kamal Al-Molk

Oil painting – Nasser al-Din Shah Qajar – by Master Musur al-Molk

Oil painting – Nasser al-Din Shah Qajar – the work of Kamal al-Mulk and one of her students

Painting of Sepahsalar Lashkar during the reign of Nasser al-Din Shah Qajar

Kamal-ol-Molk Painting – Oil Painting of Homayouni Mahmoud Ghaffari (Kamal-ol-Molk)

Painting of Muzaffar al-Din Shah Qajar in the work of Assadollah Al-Husseini

Oil painting – Assadollah Naghashbashi Darbar – face of Aref Kermanshahi of Qajar period

Oil painting – Student of Kamal Al-Molk – Ali Mohammad Heydarian

Oil painting – Kamal Al-Molk’s student – Ebrahim Tehrani – Subject of need

Perspective painting of thatched house by Master Hussein Sheikh, one of Kamal Al-Molk’s students

Oil painting on canvas – Bahram Goor hunting ground – Hossein Taherzadeh Behzad, student of Kamal Al-Molk

Oil painting on canvas – the shores of the Caspian Sea

Watercolor painting by Master Yarvand Nature of Flowers and Vases 1991

Watercolor painting by Master Sanbat on the newspaper

Watercolor painting by Master Sarkisian

Watercolor painting – Caravan on Isfahan bridge – by Master Yervand Nahaptian

Oil painting of snow nature by Master Albert Vartanian

Painting on wood with the theme of Qachar’s daughter – by Master Hossein Hamedani

Painting of a nomadic girl by Master Buick Ahmari

Miniature painting by Master Mohammad Zahedi

Miniature painting on ivory by Master Jabbar Beg

A painting with a festive theme on ivory by Fakhar

A painting with a festive theme on ivory by Fakhar

Painting and making pieces by Master Mirza Emami

Painting – one of the Haft Aurang meetings of Master Mohammad Ali Zavieh

Isfahan Bridge facade painting

Painting on ivory Elephant pottery workshop by Master Mohammad Ali Zavieh

Painting on the skin of Master Rouhani

Imamzadeh facade painting by Kamal Al-Molk

Imamzadeh facade painting by Kamal Al-Molk

Painting by Nasser al-Din Shah Qajar

Painting by Nasser al-Din Shah Qajar

Painting by Mohammad Shah Qajar

Portrait painting of Fath Ali Shah Qajar during the youth of Master Seyed Mirza

Nader Shah Afshar painting

Painting by Shah Sultan Hossein Safavid – attributed to Sheikh Mohammad Mohammad, student of Sultan Mohammad in the early Safavid era

Black Pen Portrait

A page from the illustrated Shahnameh of the work of a certain illustrated master

Portrait painting, Mirza Kuchak Khan Jangali Saneh 1326 AH by Ahmad Sabahi

Painting a horse with a figure similar to Hazrat Ashraf’s horse – the work of Master Abolhassan Saneh 1268

Qajar portrait painting by Master Musour Al-Maleki

Portrait painting, Qajar girl, the work of Rassam Arjangi, a student of Kamal-ol-Molk, 1306 AH

Qajar princes with the subject of the moment of meeting – the action of Master Ali Akbar Sadr Shayesteh Shirazi in 1331 AH

Black pen painting – the work of Master Hussein Sheikh – the subject of the nomad

Watercolor painting by Mahmoud Khan (Saba)

A page from the Shahnameh of the Qajar school with a miniature of the 13th century AH

Portrait painting, Khan Sibilo, by Master Ismail 13th century AH

Portrait painting, Mr. Mirza Mahmoud Khan Nemat

The image of the Holy Prophet (PBUH) in Ascension, black pen, and that one, dust writing by Mirza Abbas Agha, year 1346 AH

The image of Imam Ali (as) is designed with the verses of the Qur’an by the golden master of Shirazi

The image of Imam Ali (as) in the margin of Naskh and Nastaliq lines inside the mirror frame of the 13th century AH

The image of Hazrat Prophet (PBUH) and Hazrat Ali (AS) and Hazrat Fatemeh (AS) Marriage ceremony, action of Master Ali Mohammad Isfahani 13th century AH

The image of Imam Ali and Hasnain (as), by Mohammad Nabi Isfahani, in the margins of gilding

The image of Hazrat Ali and Hasnain PBUH

The image of Hazrat Ali and Hasnain (PBUH) and Abu Dharr and Qanbar and the Ascension of the Prophet (PBUH) riding on the shine of an angel, the work of Master Mustafa

Icon of Hazrat Ali and Hasnain PBUH, inside the mirror frame, by Master Mohammad Ismail Naghashbashi, year 1274 AH

Icon of Imam Ali (as), gilding and inscription margins, pen of Master Ismail Naghashbashi

Icons of Imam Ali and Hasnain (as) and angels, gilding and inscriptions on the margins, pen of Master Ismail Naghashbashi

The image of Hazrat Ali and Hasanin PBUH and Abu Dharr and Qanbar, the margins of gilding, the work of Master Abolhassan Ghaffari of the Qajar period

The image of Hazrat Ali and Hasanin PBUH and Abu Dharr and Qanbar, the margins of gilding, the work of Master Abolhassan Ghaffari of the Qajar period

The image of Imam Ali (as) and the margins of gilding, the work of Master Abolhassan Sani Homayoun of the Qajar period

The image of Imam Ali (as) and Ghulam Ghanbar, the gilding margins and the inscriptions of Zarnovis around the pen of Master Rajabali

Icon of Imam Ali (as), gilding and inscription margins, pen of Master Ismail Naghashbashi

Icons of Imam Ali and Hasnain (as) and angels, gilding and inscriptions on the margins, pen of Master Ismail Naghashbashi

The image of Hazrat Ali and Hasanin PBUH and Abu Dharr and Qanbar, the margins of gilding, the work of Master Abolhassan Ghaffari of the Qajar period